Ministers Black Veil :: Character Analysis, Hawthorne

Nathaniel Hawthorne has always been car bouterizado for using symbols and ambiguity on alone of his stories. This is the case in The Ministers Black Veil where he introduces the story of Minister Hooper, a religious man that starts wearing a disgraceful veil on his face until the day he dies. bit re reading the Ministers Black Veil it is impossible just to shape up up with one conclusion of the motives why Minister Hooper chucks on the veil. Since Hawthorne uses the act of ambiguity in this parable for the reader to come to their own conclusion, on that point are a significant amount of interpretations of the Ministers dimmed veil. The reader becomes acquainted with the protagonist at the crucial min of his life, the moment in which he decides to wear a black veil on his face. But e rattling reader encounters the same question, why did Minister Hooper put on the veil?NEED A TOPIC SENTENCE The very beginning of the story is a portrait of a happy unremarkable life in Milford - merry children are willing to make amusement of a gravers gait, spruce bachelors are looking sidelong at the passably maidens and a sexton is tolling the bell - and its light-hearted mood contrasts with that of the rest of the story. It gives us a taste of what the parsons life was like before his decision to wear his black veil.When Mr. Hooper appears wearing a black veil swathed about his forehead, and hanging down over his face, so low as to be shaken by his breath (1) a period of alienation starts in his life. This event is not expected since Mr. Hooper is a gentlemanly person (1) and has the reputation of a of a good preacher, but not an energetic one he strove to gather his people heavenward by mild, persuasive influences, rather than to drive them there by the thunders of the Word (2). The veil itself, Hawthorne tells us, consists of two folds of crape which entirely mask Mr. Hoopers features, except the mouth and chin, but probably did not intercept his sight, gai n than to give a darkened aspect to all living and breathtaking things(1). E. Earle Stibitz explains how Mr. Hoppers is shown as an essentially weak man, poorly wide-awake by his unmarried solitude, his somewhat morbid temperament, and his professional position to fight in a stable way with an absorbing religious thought that harmonizes with his personal and vocational prejudices(188).