Voice, Words and Sound in Heart of Darkness Essay examples -- Heart Da

Voice, Words and Sound in amount of Darkness To Marlow, voice is the supreme symbol of civilization, and civilized understanding is verbalized through words. The absence of words, or the inability to express something in words, signals meaninglessness. The psychoactive experience brings one into direct confrontation with the breakdown of row (the high quality of verbal concepts cited in the introduction), its inability to express the hidden truth of existence. Marlow becomes sensitive of thisprimarily through his direct experience with Kurtzyet he does not fully allow himself to believe in the failure of language. After all, language is still the most effective tool he has for communication. Sound is a signifier of meaning to Marlow. If sound is comprehensible, i.e. English or the sound of the sea, thusly it belongs to civilization and intelligence. If it is incomprehensible, not English, or the silencing of sound, then it belongs to savagery and ignorance. Thus, understand ing is equal in sound as well as in fantasy or action. For example With one hand I felt preceding(prenominal) my head for the line of the steam whistle, and jerked come out sidesplitter after screech hurriedly. The tumult of angry and warlike yells was checked instantly, and then from the depths of the woods went out such a tremulous and prolonged wail of mournful terror and utter despair as may be imagined to follow the passage of the last hope from the earth. There was a great commotion in the bush the shower of arrows stopped, a few dropping shots rang out aggressivelythen silence, in which the languid beat of the stern-wheel came plainly to my ears (Conrad, 82). The whistle is the signifier of civilization, of all that is incomprehensible to the primi... ...For the story is full of silence, full of the memory of the savage. Does his coition allow him to let go of the savage, erase the memories of the palpable force of the natural state? Works Cited Conrad, Joseph. warmness of Darkness. Editor Robert Kimbrough. New York Norton, 1988. Conrad, Joseph. Heart of Darkness. Editor capital of Minnesota OPrey. Middlesex Penquin Books Ltd., 1983. Cox, C. B. Conrad Heart of Darkness, Nostromo, and Under Western Eyes. London Macmillan Education Ltd., 1987. Guetti, James. Heart of Darkness and the Failure of the Imagination, Sewanee Review LXXIII, No. 3 (Summer 1965), pp. 488-502. Ed. C. B. Cox. Ruthven, K. K. The trigger-happy God Conrad and Lawrence, Critical Quarterly, x, nos 1& 2 (Spring and Summer 1968), pp. 41-6. Ed. C. B. Cox.Watts, Cedric. A insert to Conrad. Essex Longman Group UK Limited, 1993.